Everybody wants to be the top-dog, the alpha-male, and the king amongst his people. The book Death of a Salesman is about a typical white family living in New York, while the other book, A Raisin in the Sun is a typical black family in living Chicago.
What can be more morally invalidating than enslavement? But what if enslavement is a combination of the two; an ultimate death spiral that captures the soul, debasing the heart and unhinging the brain? Set around the same time, the two plays depict a morally impervious capitalistic monster at its pinnacle in American history.
As protagonists Willy Loman and Walter Lee fight for social standing and economic prosperity, disputes and familial discord flourish, hopes and dreams evaporate, and immorality permeates the helpless and struggling families.
As Hansberry and Miller magnify the constant suffering, dissatisfaction, sacrifice, and false hopes and dreams associated with the American economic system, the morality of capitalism is redefined and the immorality of an individualistic society reestablished.
And it is with this that playwrights Hansberry and Miller balance the notion of an evil capitalistic America, and the plays transform into a deeper study of family dynamics and morals in the midst of struggle and adversity.
The Youngers and Lomans are saddled with the stresses of economic lack. Both families subsist on meager servile jobs, especially the Youngers who suffer an extremely prejudiced community.
This pecuniary crater sparks extreme discontentedness. This implies, therefore, that Ruth identifies wealth as a vital characteristic. Even Mama, who most vociferously proclaims contentedness, dreams of a new house and understands that only money will provide the way for such a transition.
Moreover, as her main goal to become a doctor mandates that she have money, Beneatha relates to the familial ilk of materialism as well. Either plainly or subtly, all members of the Younger family are discontent.
Their discontentedness leads to disunity, mutual animosity, and ultimately failure. Their failure to remain collected, failure to overcome in the midst of adversity, and failure to be content under the most disheartening circumstances reveals their lack of intestinal fortitude.
This characteristic disposes of morality in favor of personal goals and aspirations. All in all, with the acute frustrations associated with a most terrible economic environment for African Americans and the financial hoi polloi, the Youngers fail to resist depression although their circumstances allow for nothing elseand while they eventually gain a house the means of their acquisition portray them as undeserving.
To start Death of a Salesman, discontentedness is overshadowed by pride, as Willy tries desperately to build himself up in the eyes of others. All the while, Happy lifts himself up, essentially trying to extenuate his failure.
Even though Happy obviously has very little experience he insists he be the boss. Willy never entertains the notion of failure, of mediocrity, or of anything less than perfection, and continually feeds his sons more lies of their popularity.
This then entices the Loman brothers to focus not on hard work and dedication in the application of oneself, but rather the popularity and publicity of their image.
Nevertheless, the guise of imminent success and pending glory vanishes once Biff fails to go to college and Howard fires Willy.
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The void becomes filled with discontentedness and a cacophonous aura. Happy fuels the fire by maintaining his pride and, in all intents and purposes, ignores the maelstrom of problems surrounding his family. As tensions rage, familial discord magnifies. Everyone in the Loman family has angst for one another.
With the advent of their moribund state of being and dispositions towards each other, the Lomans fail to overcome. They fail to stay true to each other. They fail to stay true to reality. They fail to stay true to themselves.
And they fail to stay true to what is really important—the nuclear family. The Loman failures are as much terrestrial as they are spiritual—meaning the spirit of the family.
More than a Pecuniary Struggle:Mar 13, · To start Death of a Salesman, discontentedness is overshadowed by pride, as Willy tries desperately to build himself up in the eyes of others. Willy sees himself as “vital in New England” and pumps his son, Biff, up with hot urbanagricultureinitiative.coms: students, a comparison of the treatment of the American dream could lead to a critique of •.
A Raisin in the Sun Death of a Salesman. Death of a Salesman and A Raisin in the Sun. Death of a Salesman. Arthur Miller. Democracy in America. Alexis de Toqueville. The Demon Lover.
Elizabeth Bowen. The Glass Menagerie. Tennessee Williams. Go Set a Watchman. Harper Lee. The Go-Between. L. P. Hartley. PDF Downloads of all LitCharts literature guides. Teacher Editions. Close reading made easy for students. Time saved. Comparing Reality and Illusion in Glass Menagerie, Death of a Salesman, and A Raisin in the Sun - Reality vs.
Illusion in The Glass Menagerie, The Death of a Salesman, and A Raisin in the Sun All three stories are centered on lower income families in urban settings.
A Comparison of Similarities in The Glass Menagerie by Tennessee Williams, Death of a Salesman by Arthur Miller, and Raisin in the Sun by Lorraine Hansberry. Essay on Willy Loman in Death of a Salesman and Amanda in Glass Menagerie Words | 5 Pages. The Characters of Willy in Death of a Salesman and Amanda in Glass Menagerie In "Death of a Salesman", Willy Loman believes the ticket to success is likeability.