The fourth-graders were unanimous: Quicksand doesn't scare them, not one bit. If you're a 9- or year-old at the P.
According to Williams, the American stag film demonstrates the obsession of patriarchal culture in a desperate search for what film scholar Linda Williams calls "the unknowable 'truth' of sex".
Williams also argues that a female point-of-view is rarely shown within the stag film genre, resulting in the female body becoming an object. However, in her analysis she does take into account the flickers of female sexuality and points out that sexuality is not problematized, unlike s hardcore pornography.
Early critics of the genre, Di Lauro and Rabkin, argued that the male performers in stag films are also objectified and that they are even less humanized than the women who are the focus of attention because "as performers [men] are not visible in their full humanity.
The point of view always comes from the phallus in stag film, Williams contends, making the predominant address to men only, and Williams argues that is where the power lies.
Moreover, it is argued, there are detectable misogynist elements established early in this genre which inflect the more idealizing and fetishizing representations of female genitalia.
The act of collectively getting together to get aroused at the spectacles of these hard core representations of sexual acts, is what film theorist Thomas Waugh describes as "re-enacting some of the basic structural dynamics of the patriarchy, namely, the male exchange in women, in this case the exchange in fantasies and images of women".
Voyeurism Voyeurism is an obvious theme and main fixture in the codes and conventions of stag cinema.
Williams argues that many stag films, including Am Abend and A Free Ride, "incorporate voyeurism into their narratives as strategies both for arousing their characters and for matching the character's "look" with that of the spectator in their beginning sequences.
William's theory on the discourse of the stag film is that "it oscillates between the impossible direct relation between a spectator and the exhibitionist object he watches in close-up and the ideal voyeurism of a spectator who observes a sexual event in which a surrogate male acts for him.Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years.
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This essay delves deeply into the origins of the Vietnam War, critiques U.S. justifications for intervention, examines the brutal conduct of the war, and discusses the . Of the silent trilogy, Earth () is Dovzhenko’s most accessible film but, perhaps for these same reasons, most misunderstood.
In a Brussels’ film jury would vote Earth as one of the great films of all time. Earth marks a threshold in Dovzhenko’s career emblematic of a turning point in the Ukrainian cultural and political avant-garde - the end of one period and transition to another.
Stag film or Smokers are terms used to describe a type of pornographic film produced secretly in the first two-thirds of the 20th century. Typically, stag films had certain traits.
They were brief in duration (about 12 minutes at most), were silent, depicted explicit or graphic sexual behavior intended to appeal to men, and were produced clandestinely due to censorship laws.